Himalayan Yoga Womanhood lives in the mountain village culture of Nepal. This cultural perspective is the experience of the author having married into it, residing in the Annapurna view of the above photograph. She, Annapurna, is the inspiration for the books that follow. Annapurna has the same symbol as womanhood as Shakti with an ancient and living culture of social and self discovery experience based in Himalayan nature and is described in primal mystic hymns from the Rig Veda.
Sacred Nature and Himalayan Womanhood is a pictoral presentation of various feminine associations living in Himalayan Nepal, with parallel Asian examples. These various inspirational aspects of womanhood as nature experience is also shown to be.living in the East in general. In this book, from the physical nature to spiritual experience, womanhood is given its antique identity as an aspect for the divine manifestation of our world. A few sonnets are included in this bookn as an attempt to bridge the experience of nature and a divine womanhood.
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This book is a textual presentation of the nature experience of womanhood based on the author’s research in the books that follow below. Womanhood’s five divine aspects as nature experience are combined with simple antique inner self discovery practices that can be transferred to a city life for a feminine nature experience in a city.
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Nine living Himalayan sites are shown to have feminine associations based on nature symbology found in Rig Vedic texts. This nature symbolism is oresented as a new methodology. These sites can be visited today for their sacred nature experience. The author lives on Panchassee mountain found in chapter ten.
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Rig Vedic Annapurna shows how the nature and cultural associations, based in Mandala 5 Sukta 19 that are also found in Asia as well as even in Canada. This Annapurna nature symbolism serves as a basis for a parallel divine feminine experience of womanhood. This is one perspective to bring the ancient divinity of nature as womanhood back into the present science based and modern perspective of the same.
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This book presents the first attempt to describe a new visual anthropological framework for Rig Vedic studies based on
nature symbols found in the hymns themselves. The site chapters in this book are included in the above Nine Sites book, with three of the chapters updated.
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